Terminator 2: Judgement DAy Theme Song
Terminator 2: Judgement Day is the 1991 sequel to The Terminator. Despite Sarah Connor’s best efforts, Skynet will still be created and bring about Judgement Day in the future. This happens because Cyberdyne Systems, an advanced computer company, recovers the CPU and an arm from the first Terminator that Sarah and Kyle Reese destroyed in 1984. This brings about a stable time loop, where Skynet is created because it sent back Terminators tot he past. By 1991 Sarah is imprisoned in a high security mental institution and her son John is living with foster parents.
One day however, two men appear from the future and both begin searching for John. One is the Model 101 Terminator seen in the last film, whilst the other disguises itself as a police officer and begins his search at John’s foster parent’s home. Both eventually find John at a local mall, where he sees the Terminator carrying a shotgun and naturally flees towards the police officer, but the police officer is also a Terminator, and he’s the one sent to kill John. A firefight breaks out, followed by a chase through storm drains, the Model 101 explains he’s here to protect John, who tells him they have to rescue Sarah from the mental hospital.
Once Sarah is freed they begin their plans to escape, but Sarah has a dream of Judgement Day and decides to kill the Cyberdyne employee who will create Skynet. John and the Terminator stop here, but they convince Miles Dyson to help them destroy his work. The other Terminator, a terrifying liquid metal shapeshifter is in hot pursuit.
The film was a smash hit, winning 4 Oscars and ranked as the highest grossing film of 1991. It proved that sequels can be successful films and it went on to spwn two additional films: Rise of the Machines and Salvation.
About The Terminator 2: Judgement DAy Movie Theme Song
The score from Terminator 2 was composed by Brad Fiedel and features several contemporary songs, including “Bad to the Bone” and “You could be mine.” The score itself comprises haunting metallic-sounding rhythms, reminiscent of marching Terminators. The opening titles set the scene for the entire film, with the music accompanying a frankly terrifying title sequence, showing endless scenes of fire and burning things, most chillingly a children’s playground, with the swings and rocking horses burning fiercely. The piece is by definition an apocalyptic one, and it fits that title exceedingly well.
Artist/Group: Brad Fiedel
Track: Main Titles
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